![]() For years, seats up at the top became known as ‘the chicken coop’. The Opera’s solution was to install a thin wire fence beneath the upper tiers, so as to catch any edible projectiles. Legend has it that, bitter about their inferior position, audience members seated here would often hurl food down at the disliked upper class audience members. This was where its middle class nineteenth century spectators would take their places, often bringing food since they couldn’t afford the upmarket restaurant downstairs. The lower tiers and boxes have always held the most desirable seatsįalse – back in the day, sitting in the expensive seats could pose something of a hazard… The opera’s cheapest options are to be found high up in the auditorium, up towards the ceiling. Still employed as an architectural term today, Napoleon the III buildings are highly eclectic in style, liberally blending materials and elements from across historical periods. She critiqued him for what she perceived as his hodge podge of different influences, demanding "What is this? It's not a style it's neither Louis Quatorze, nor Louis Quinze, nor Louis Seize!" Garnier’s response was simply to define his own category: ‘Napoleon the III style’. Infuriated by the failure of her favourite in the running, foremost French architect Eugène Viollet-le-Duc, Napoleon’s wife, the Empress Eugenie, took to heaping insults on Garnier’s plans. In an open competition for proposals, he surprised everyone by being selected ahead of other, grander names in the industry. This was partly due to the fact that, at the time of his appointment, Garnier remained almost entirely unknown as an architect. False – actually, architect Charles Garnier’s designs proved widely controversial. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |